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Fandom: Neuromancer | Sprawl Trilogy - William Gibson
Pairings/Characters: Gen; Sally Shears | Molly Millions & Yanaka Kumiko
Rating: General Audiences
Length: 1,225
Content Notes: No Archive Warnings Apply (but a character’s dark backstory is hinted at.)
Creator Tags: Cyberpunk, razor girl, Friendship, Mentors, Mentor & Protégé, Yakuza, Missing Scene, Female Friendship, Backstory, Fanon
Creator Links: (AO3) LizzyChrome; (BlueSky): lizzychrome; (DeviantArt) lizzychrome; (Facebook) LizzyChrome; (Instagram) lizzy_chrome
Theme: Female Relationships, Backstory, Female Friendship, Non-Sexual Intimacy, Older Characters, Worldbuilding

Summary: How do Molly's claws and lenses actually work? Kumiko pries. (Missing scene from "Mona Lisa Overdrive.")

Author’s Notes: If you havne't read MLO yet, I won't spoil anything. I'll just set the scene, without giving anyway any important story elements: Molly is now middle-aged, goes by "Sally Shears," and is working as a body guard for a Japanese girl named Kumiko.

I do not own "Mona Lisa Overdrive."

This oldie was written probably over ten years ago. I originally posted it to Fanfiction.net, then took it down, feeling it was pointless. But in light of the new "Neuromancer" show coming out, I want to preserve this little ficlet, to see how my fanon explanation for how Molly's claws work compares to what (if anything) the show gives us regarding that explanation. After a quick re-read, I decided that no edit was needed. What you see here is what I originally posted ten or eleven years ago.

Reccer's Notes: This vignette expands upon an exchange in Mona Lisa Overdrive between aging cyborg mercenary Sally Shears (AKA Molly Millions, Cat Mother, Steppin’ Razor, Rose Kolodny, and Misty Steele—this lady’s got more names than a Wuxia hero) and her charge Yanaka Kumiko; Sally confides measured bits of her backstory to the crushstruck Kumiko, including stripping to bare a torso-long scar (from a near-fatal cagefighting injury, kept “to remind her of being stupid.”)

It’s a precious moment of trust, an elusive commodity in both women’s lives; LizzyChrome expands upon this to let Sally hold forth on how her prosthetics work—a question that Gibson chose to bury under Rule of Cool, and that’s challenged two generations’ worth of illustrators and cosplayers.

With the upcoming Neuromancer series on Apple+TV, Molly finally leaves the roster of visually iconic SFF characters not yet defined in the popular imagination by a screen adaptation (1). The Molly in my head admittedly didn’t resemble Briana Middleton, but I look forward to seeing her interpretation of the role (as well as how faithful to the spirit of the book the script gets to be, now that Hollywood has gotten their hands on

(A) a Beloved Property™,

(B) whose cyberpunk dystopia has been coming uncomfortably true in a number of respects—thanks in no small part to megacorporations like Apple.)


(1) Gully Foyle from The Stars My Destination and Elric of Melniboné also come to mind.


Fanwork Links: Shears, by LizzyChrome.

Fandom: Stargate Atlantis
Characters/Pairings: (attraction only) Teyla Emmagan/Sora, Teyla Emmagan/Elizabeth Weir, Laura Cadman/Teyla Emmagan, Teyla Emmagan/Kate Heightmeyer, Sam Carter/Teyla Emmagan
Rating: G
Length: 2928
Content Notes: no AO3 warnings apply
Creator Links: tielan on AO3
Themes: Female relationships, Female characters, Friendship, Ambiguous relationships

Summary: Desire is a fine line. Five women in Pegasus walk it with care.

Reccer's Notes: This is a well-written exploration of how five women on the Atlantis expedition or elsewhere in Pegasus feel about Teyla. As a twist on the title, they all do or did want Teyla, even if they can't pursue that attraction for a number of reasons. It's also unclear if Teyla reciprocates any of their feelings. Excellent character pieces that ring true.

Fanwork Links: Five Women Who Never Wanted Teyla Emmagan

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Tell me...for whom do you fight? Hmph! Do you believe in Eorzea? Eorzea's unity is forged of falsehoods. Its city-states are built on deceit. And its faith is an instrument of deception. It is naught but a cobweb of lies. To believe in Eorzea is to believe in nothing. In Eorzea, the beast tribes often summon gods to fight in their stead─though your comrades only rarely respond in kind. Which is strange, is it not? Are the “Twelve” otherwise engaged? I was given to understand they were your protectors. If you truly believe them your guardians, why do you not repeat the trick that served you so well at Carteneau, and call them down? They will answer─so long as you lavish them with crystals and gorge them on aether. Your gods are no different from those of the beasts─eikons every one. Accept but this, and you will see how Eorzea's faith is bleeding the land dry. Nor is this unknown to your masters. Which prompts the question: why do they cling to these false deities? What drives even men of learning─even the great Louisoix─to grovel at their feet?

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Fandom: DC, technically the Justice League (2017) movie, but can reasonably fit with most DC timelines
Pairings/Characters: Martha Kent, Atlanna
Rating: T
Length: 2,909 words
Creator Links: susiecarter 
Theme: Female Relationships, Female Friendship, Gen, Minor Characters, Superpowers 

Summary: There's a very unusual woman on the train, when Martha boards just outside Metropolis.

Reccer's Notes: I love depictions of Martha Kent where she is no-nonsense and kind, but ultimately human. She is out of her depth in the superhero shenanigans but perfectly suited to handle any and all human things before and after. I love how she immediately clocks Atlanna as "strange and possibly dangerous" and so decides to strike up a conversation. It's lovely to see these two women bond over their sons even before they really know who each other is. Also Alfred cameos at the end which is always fun. 

Fanwork Links: not far from the apples on AO3

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Got any Follow Friday-related posts to share this week? Comment here with the link(s).

Here's the plan: every Friday, let's recommend some people and/or communities to follow on Dreamwidth. That's it. No complicated rules, no "pass this on to 7.328 friends or your cat will die".

Fandom: Deadloch
Characters/Pairings: Eddie Redcliffe/Dulcie Collins
Rating: Teen
Length: 2518
Content Notes: Internalised homophobia, unreliable narrator, political correctness and Eddie aren't even in the same universe
Creator Links: pintpotjudas on AO3
Themes: Female relationships, Backstory, Ambiguous relationships

Summary: Just Eddie, musing on hair. And lesbians. And herself, a bit. (She's meant to be thinking about the case.)
Set in a lull (???) in episode five, or thereabouts.

Reccer's Notes: The detective partnership of Eddie and Dulcie is central to Deadloch, and it's "enemies to friends" in canon, but with a tantalising hint of maybe-polyamory at the very end of the show. In this story, Eddie thinks about lesbians in general (Deadloch's full of lesbians), her odd fascination with Dulcie's long, thick, hair, and remembers a female friendship from her teens. It's a believable character study where we understand a bit more about Eddie and see the beginnings of her attraction to Dulcie, even if Eddie's still mostly in denial. Interesting, and well written, with great characterisation and Eddie's usual hilarious and colourful turns of phrase.

Fanwork Links: Horsehair

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4 Little Mermaid, 1 Pirates of the Carribean, and 1 Once Upon a Time

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Check-In #2 is now live! Please fill out the form for each project you are doing, with one form response for each project. You have until June 23rd to fill it out!

https://forms.gle/YZk8ixi9aVz6B1wT9

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